6,506 Royalty-Free Audio Tracks for "Kill Patrick 1 By Patrick Kilpatrick (album)"

Cadenza from Beethoven's Concerto in C minor, piano part.

Gesualdo "Or, che in gioia credea viver contento", Madrigals, Book 4 (1596) opening measures.

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

Prime row form from Stravinsky's Requiem Canticles.

Example of the submediant ("triad on VI") used as a dominant preparation.

Salve, sancta parens, Rätselkanon von Ludwig Senfl. Der lateinische Text lautet: "Salve, sancta parens, dulcis amor meus, virgo pia, salus mundi, coeli porta".

Lydfil fra Ruben-samlingen Sound file from Ruben collection

Tone row with Schoenberg's initials preceded by remaining four notes.

Anfang des zweiten Satzes aus Beethovens Opus 109

Papal Hymn Long Live the Pope by Hugh T. Henry (words) and Henry G. Ganss (music)

Unfinished Symphony, 1st movement, bars 13-20

1st release date: 1916

Mendelssohn; Capriccio Brillant, op. 22

Elgar; Enigma variations, Theme III. R.B.T.

Elgar; Enigma variations, Theme XII. B.G.N.

Elgar; Enigma variations, Theme VII. Troyte

Elgar; Enigma variations, Theme XIII. Romanza

Lydfil fra Ruben-samlingen Sound file from Ruben collection

1902 Aufnahme des letzten italienischen Kastraten, Alessandro Moreschi, der einzige Kastrat, der Aufnahmen hinterlassen hat.1902 recording of the last Italian castrato, Alessandro Moreschi, the only castrato who has left recordings.1902 la grabación del último castrato italiano, Alessandro Moreschi, el único castrato que ha dejado grabaciones.Enregistrement de 1902 du dernier castrat italien, Alessandro Moreschi, seul castrat qui ait laissé des enregistrements.Italiano: 1902 la registrazione dell'ultimo castrato italiano, Alessandro Moreschi, l'unico castrato che ha lasciato registrazioni.

Lydfil fra Ruben-samlingen Sound file from Ruben collection

Elgar; Enigma variations, Theme XI. G.R.S.

Sansoen Phra Barami (ancient drama) - Wang Ban Mo ancient drama ไทย: เพลงสรรเสริญพระบารมี (ละครดึกดำบรรพ์) บรรเลงโดย คณะละคอนดึกดำบรรพ์ วังบ้านหม้อ

Bianca Scacciati and Francesco Merli, Giacomo Puccini, Turandot, "In questa reggia", Columbia D1570

Elgar; Enigma variations, Theme XIV. Finale E.D.U.

Elgar; Enigma variations, Theme V. R.P.A.

Lydfil fra Ruben-samlingen Sound file from Ruben collection

Handel HWV 442 Chaconne in G Major, Variation 62 (digitally arranged in Sibelius)

Ricercar Sopra Cabaret Short performed by Touch 'N Go of the United States Air Forces in Europe Band. Track 13 from Broadcast Music Beds (2015).

Glinka, Hésitation par Boris Gmyria, basse et Lev Ostrin, piano (concert 1952)Глинка, М. - Сомнение (Н. Кукольник) Гмыря Романсы, Л. Острин (фортепиано) 1952

Elgar; Enigma variations, Theme II. H.D.S.-P.

Italiano: Uno dei possibili brani ottenibili con il sistema descritto da C.P.E. Bach nel 1757. Come contrappunto doppio all'ottava, è riprodotto anche il brano ottenuto dall'inversione delle voci.

Elgar; Enigma variations, Theme IV. W.M.B

Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525 - Romanze

Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" final bars of the orchestral arrangement

Alessandro Granda, Giacomo Puccini, Turandot, "Non piangere, Liù", Columbia D1644

Bach, Carl Philipp Emanuel: Solfeggietto, Wq.117.1 / H.220

Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" final bars of the piano version

Pirogov Aleksandr Stepanovich Пирогов Александр Степанович. Романс С.В. Рахманинова "Судьба", запись 1946 года

Elgar; Enigma variations, Theme VIII. W.N.

Sansoen Phra Barami and Kraow Ram (Episode of Prommas) - Wang Ban Mo ancient drama ไทย: เพลงสรรเสริญพระบารมี และ เพลงกราวรำ (จากละครดึกดำบรรพ์ ตอนพรหมมาศ) บรรเลงโดย คณะละคอนดึกดำบรรพ์ วังบ้านหม้อ

Tone row from Stockhausen's Klavierstück IX.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Tone proportions of Studie I. I took F♮ as the starting point.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

Ave Maria (Bach/Gounod)

Elgar; Enigma variations, Theme I. C.A.E.

Elgar; Enigma variations, Theme X. Intermezzo Dorabella

Elgar; Enigma variations, Theme IX. Nimrod